Wednesday 3 March 2021

5:43-48

 Jerry had never really liked his English teacher at primary school. Her name was Mrs. Mary Madeleine Grace but she expected her pupils to call her just Adele.

 After leaving primary school, he had realized he really hated her looking back. Once, at the age of twelve and while walking home from John Worthington Middle school, this girl from another class told him that her aunt - Adele - had told her that Jerry was a prick. "What a nice thing to say about a primary school student" he had told himself sarcastically. This last episode had just contributed to worsening his awful memory of Adele.

There were countless episodes that he could associate with guilt, fear, anger. Not exactly life-enhancing feelings that boost your confidence.

He recalled how one day, during an afternoon P.E. class (she also taught P.E. in fact), during circle time moment with everyone sitting on the floor, she had put him in the spotlight telling him loudly "That's disgusting, You make my stomach queasy! I just saw you picking your nose".

Jerry's immediate reaction had been to hide his bogey by...eating it! That had a disastrous effect. She had expressed her disgust further, and all the other kids had laughed their heads off.

Another time, Jerry's mum Liz had gone to pick him up and stopped for a quick talk with Adele outside the school entrance. Liz wanted to talk about Jerry's low grades in English, and Adele had replied with a textbook teacher's answer "Jerry's got the brains, but he needs to be more committed. What do you think Jerry?" He had replied with an imperceptible shrug of the shoulders. He actually thought she was biased and that he was already working hard, but that was not enough for her obviously.

The following day, Ms Adele asked him at school- with a clearly annoyed tone - "Why on earth did you not agree with me in front of your mum yesterday?". 

Then there had been other things. Jerry had, unfortunately, a bad habit of coming up with loads of nicknames for his classmate: there was Del, the Blue Hippo, Roxette, Little Matthew, just to name a few of them. There were exceptions, but most of his mates quite liked these nicknames and didn't mind at all. But the teachers did, especially Adele. She thought this confirmed all her negative views of him being an arrogant bully. 

She wouldn't let him be like that so one day she called him out in front of the whole class and started questioning him, like a real Stasi officer, asking very peculiar questions and in the end making him cry (he even started hitting himself, and she seemed to find this all the more annoying: he could not, by all means, be a victim, not even of his own self. He was a villain. He had to be, end of the discussion.

It finally had dawned on him one morning at the age of thirty-six and a half, when he bumped into his classmate Anne Winterbottom.

She had told him how her mum had moved; this had given her time to go through old school exercise books and she had found this book with all the transcripts of the assemblies she had. Jerry had even been secretary of the assembly sometimes, writing and signing the final report. He had totally forgotten about all that.

Maybe Adele wasn't so bad in some way. Maybe, if she hadn't been so unpleasantly critical and negative, he would have been a less resilient person, less adaptable, less... himself.

So, in the end... he started seeing things under a rather different light.

Jerry wasn't very religious. He considered himself an agnostic or an atheist. In spite of this, the sentence that he had overheard whilst watching a film about St Francis's life seemed particularly fitting.

" love your enemy and pray for the ones who persecute you..." or something like that. And Jerry didn't consider Mrs. Adele an enemy; just someone who hadn't brought the best out of him. At least, this is what he had thought until that sunny Winter morning.

Tuesday 19 July 2016

A Moodboard for "Eve"

I was recently asked by a friend who is a film maker to make e moodboard for one of his films. This was something new for me and I accepted with a mix of curiosity and fear of not meeting my friend's expectations.

The film is about a bodybuilder supermarket assistant who is also a mum. She weighs around 100 kilos and her life revolves around bodybuilding, weight lifting and proteine drinks.

She is divorced from her ex husband and rarely sees her daughter, until her husband has to go away for some time and asks her to look after their daughter.
This comes as a real breaking point to her life - she has to change her habits, make room for her child and learn to play with her, to let go sometimes and learn not to be alone with her bodybuilding obsession.

Here are some of the sketches I made.










Wednesday 8 October 2014

Giovani, Creatività, Imprenditoria. Una serata con Mauro Gatti


Venerdì 19 settembre ho avuto il piacere di assistere a Santorso, nell'Alto Vicentino, ad una conferenza dal titolo molto accattivante "Giovani, creatività e imprenditoria". Relatore dell'incontro è stato Mauro Gatti, illustratore dalla carriera ormai ventennale e prossimo a trasferirsi negli USA per iniziare nuove avventure. L'incontro era parte integrante del master gratuito Comunicare con l’illustrazione — destinato a giovani tra i 18 e i 30 anni e organizzato dalla Rete per le politiche giovanili dell’Alto Vicentino in collaborazione con l’Associazione Culturale Yourban
La cornice di Villa Rossi ha creato un'atmosfera molto suggestiva. Numerose le presenze di potenziali illustratori e non solo.

Ad affiancare Gatti, Ale Giorgini, illustratore che vive a Vicenza ma lavora anche oltreoceano e ultimamente attivo anche nel ruolo di curatore (Illustri nel 2013 per fare un esempio).
Non sono solito scrivere degli eventi a cui partecipo, ma in questo caso mi sembra non solo piacevole ma anche doveroso condividere con tutti coloro che abbiano inclinazioni artistiche e vogliono cimentarsi come artisti professionisti ciò che ho avuto la possibilità di ascoltare e vedere.
Mauro Gatti ha subito sgomberato il campo da equivoci: disegnare e illustrare sono attività in cui ci si può divertire e in cui l'idea e l'originalità del progetto sono elementi cruciali, ma allo stesso tempo comunicare con l'illustrazione richiede un approccio imprenditoriale, se si vuole rimanere a galla, specie di questi tempi. "I disegni valgono più delle parole". In un mondo sempre più interconnesso, in cui tutto è a portata di mouse, comunicare con le immagini è decisamente più rapido rispetto alla testualità.

Con l'aiuto di alcune infografiche, Gatti ci ha guidati in un percorso in cui ha enucleato i segreti del mestiere. In primo luogo, un creativo deve porsi delle domande: Qual è il senso del proprio lavoro? Come svilupparlo? Quali sono i propri obbiettivi?
Ha dato anche dei suggerimenti essenziali: insistere molto sull'aspetto pratico del disegnare facendo molti schizzi e cercando sempre stimoli nei modi più disparati, farsi venire un'idea, anche semplice, da sviluppare e infine divetare anche apprendisti stregoni, intendendo che è importante apprendere nozioni di "magia", ovvero padroneggiare i mezzi tecnici (software, video, tecniche pittoriche).
Un creativo DEVE farsi pagare, senza dubbio. Occorre pensare in modalità multicanale per cui lo stesso progetto può essere fruito su smarthphone, tablet, stampato, ecc.
Infine, un creativo deve trovare il metodo per accedere al mondo delle idee. Qui non si intende che uno debba studiare Platone, ma che è importante "allenarsi", col pensiero e con la mano in modo che le idee affiorino in caso di  necessità.

Tra gli artisti che hanno ispirato l'opera dell'autore bresciano, EdEmberley e Raymond Savignac.
Per chi credesse che un artista deve per forza essere un musone maniaco depressivo, Mauro ha ricordato l'alternativa più semplice: l'umorismo, il mezzo più veloce per comunicare.
Inoltre, tra i must per un creativo c'è il fare rete, community. Insomma coltivare amicizie con coloro che abbiano gli stessi interessi, lo stesso mestiere.

Per riassumere il proprio credo, Gatti ci ha snocciolato le 7 regole che lui segue pedissequamente:
1.      Partire da un perché. L'importanza di dare un senso a ciò che si fa
2.      Coltivare le amicizie. Quanto è importante frequentare e sentirsi bene con persone che vivono le stesse problematiche, che hanno un'inclinazione analoga
3.     Flow. Una volta che ci si mette al lavoro è importante mantenere il ritmo ed evitare distrazioni
4.      Mantenere gli occhi sul foglio. Guardarsi intorno è importante, così come conoscere il lavoro di altri artisti. Questo però non significa copiare. Copiare il lavoro altrui è assolutamente controproducente, per l'autore e per la "vittima" del plagio
5.      Sfidare sé stessi. Porsi degli obbiettivi raggiungibili migliora l'autostima ed aiuta a progredire. Porsi obbiettivi a breve termine troppo vasti alla fine può causare se non depressione, come minimo demoralizzazione.
6.     "Non di solo amore"....Occorre avere una mentalità imprenditoriale. Il romanticismo va bene ma bisogna anche fatturare, farsi pagare sia per avere la pagnotta ma anche per attribuire un valore alla propria opera.
7.      M&M: Mentori e Metodo. Andare alla ricerca di persone più esperte e magari di "successo" in questo campo può aprire molte strade e dare ulteriori motivazioni.

Altra chicca: il metodo "pomodoro". Per evitare le distrazioni provate a organizzarvi in questo modo: per mezz'ora lavorate sodo, assolutamente evitando facebook, email, ecc. Al termine per 5 minuti fate pausa, poi lavorate altri 30 minuti e così via.

Per la questione"community", esistono oggi social network, come Behance, Tumblr, ecc. in cui si può sia visualizzare, commentare, consigliare, apprezzare il lavoro di altri artisti, ma anche ricevere richieste di lavoro.

Infine l'artista bresciano ci ha fatto una panoramica sul mondo delle app, al quale si è dedicato ultimamente. Anche in questo ambito, è importante avere un business plan e un business model. Altri consigli pratici sono: mantenere la app semplice, pensare in grande e "non fare i tirchi", ovvero impegnarsi al meglio per la riuscita del progetto.

Dal punto di vista del finanziamento, oggi è possibile partire da zero, grazie al crowdfunding, al co-working e al revenue sharing

Monday 15 September 2014

Alistair medium-guy

Alistair didn't usually feel ill. Every year he would maybe stay in bed for a couple of days, with a mild temperature, reading magazines and watching old Only Fools and Horses episodes. That end of Summer though, he caught a bad cold and because he hadn't looked after it, it turned into laryngitis. This meant that he had to stay at home for a few days, with an awfully high temperature, taking pain killers and antibiotics.

During this period of illness, his friend Robin had called him to ask him to go and see their friend Jack in Derby. "Sorry mate, can't come because I'm ill.. got this flipping laryngitis." "You lucky bastard, I wish I was in your place".
Robin saw the practical side of it. With his bank clerk's job, being ill was a real bargain. You got to stay at home with a full salary. Problem was that Ali was working as a precarious part-time student part-time free lance copywriter. There wasn't much social security for this type of very common human being situation unfortunately.
Nevertheless, they agreed they'd go and see their mate at the end of the month and that way other members of the crew could join them: Simon, Frank, Andrew, perhaps Thomas.

On the Monday Alistair went back to work. It was his turn to cook lunch for everyone so he had spent the weekend making pasta à la Norma. Why on earth he had ventured cooking a complicated Sicilian dish didn't pass his mind. He hated cooking and his favourite meal was beans on toast, but to make his colleagues happy and get a better respected position at work, he wanted to test his chef skills and try and grab everyone literally by the stomach.
He had decided that he'd go to work even though he wasn't fit, because he hadn't got a temperature anymore, even if he still had a cold and sore throat, and because there were many things on his "to do list" but most of all because he didn't have a contract that said he could stay at home when he was ill. Actually he didn't have a contract at all. He was paid with food stamps and petrol vouchers and maybe a few hundred quid every now and then.

"Why are you here if you're on antibiotics, you must be contagious." His colleague Natalie knew how to go straight to the point without being too tactful and friendly. She was particularly concerned about her newborn baby and was afraid of catching something - she had spent three weeks at home in February, because of Bronchitis - so she couldn't care too much that Alistair had been ill. She didn't bother seeming too worried, because in their modern social media oriented business ethics it wasn't very important to show much human care towards your peers, especially when you were face to face or side to side in the same room. Even more so if there were lots of deadlines and unhappy customers.

That evening the council meeting about the building of a new supermarket in their borough had been shorter than usual so he managed to go to Ivan's, the Russian bar down the road, with his old friend from school Ted and watch almost the entire First Leg of Ajax vs Tottenham. While watching the game they chatted about what they'd done during the holidays. They had a lot to catch up with but were too tired to go through everything, so they focused only on the highlights.
Djing: medium. Football: medium. Downing pints: mediocre. Writing: medium. All through the conversation Alistair had kept thinking of how he wasn't particularly good at anything, even though he wasn't total crap overall. He liked to think of things in terms of cartoon characters It gave him a proper perspective. A week before he had watched the whole of Superman 3D with his oldest nephew, so Super-man was the first thing he could think of and this made him suddenly realize who he was and had always beem: indeed he was medium-man.

Sunday 7 September 2014

Palladian Illustration

In this work, which I exhibited at the 2013 edition of Lucca Mail Art, I had to work within the limits of format and the media, which had to be an envelope.


Title: "Città a misura d'uomo"
Mixed media on envelope
cm 18x13
2013


Water work

Here are a series of paintings which I made in the past few months, dealing with natural landscapes, animal inspired creations and water in general.

Title: "Atmosfere ittiche"
Mixed media on canvas
cm 60x40
2013


Title: "Summer in Istria"
Acrylic on canvas
cm 50x20
2009

Title: "Friends of the Giudecca"
Mixed media on canvas
cm 80x30
2007


Thursday 4 September 2014

Video editing and videomaking - A big challenge and also a source of inspiration

In the past year I have entered a world that was previously quite unknown to me: the one of video making and video editing.
As part of my master in Tecnologia della Didattica at the Milan Politechnic, I had to follow a video editing module, which gave me the opportunity to learn the essentials of video making software and to think of a storyboard, this time not for illustrations but for a short length video.

This is the first experience I had with video editing, where I simply had to put together footage that had already been filmed with a smartphone and add subtitles and modify the audio.
This was actually part of my work experience for a wine communication studio and it was quite basic, since the aim of the commissioner was to explain how a "sboccatore" works.

Another video I enjoyed editing was one about the Tate Modern in London, where artist and musician Moby guides us through the museum collection, talking about his favo(u)rite works of a art.
I recorded my own voice and I must say it sounds quite weird.